Landscape design on the use of traditional cultural symbols0

Landscape design on the use of traditional cultural symbols Abstract: With the social and economic development, people have gone through the glorious past can not simply erase the total the traditional cultural symbols carries a long history and culture, the landscape into the design to evoke memories, to achieve the viewer desire to make the glorious past can be seen not only in history books, so that the urban landscape has its own personality and characteristics of this paper is to study the traditional cultural symbols in use in the modern landscape, hoping to address shortcomings of the groping methods of landscape design and development way method. Keywords: traditional culture, cultural symbols, landscape one, the concept of traditional Chinese culture refers to certain characteristics from generation to generation ideas, morals, customs, aspirations, culture, art, system, technology, and so is a very broad concept of extension from static point of view, Chinas traditional culture refers to different periods of Chinas feudal society the culture of the sum, from the dynamic point of view, it also inherited from the past still alive in our hearts to influence those habits, ethics, methods and culture psychology, therefore, the traditional cultural symbols is able to carry these cultural significance of media, information and meaning of the expression of traditional culture or language, the language of symbols. Second, the traditional cultural symbols used in landscape design in meaning and expression in todays society, people pay more attention to the shaping of urban characteristics, personality, sense of belonging and freshness are indispensable. With the social and economic development, with a history of heavy cultural heritage of the city, after a glorious past of the old urban landscape pattern may be in the new order of social development can not survive, but to bring people to the city for the past memories they can not simply erase the total for that evoke memories things full of emotion, hope that the past glory can be seen not only in history books. (A traditional form of abstraction, when we just need to simplify the image of a simple concept and the overall image, the traditional forms too specific and complicated, meaning no need to express the details, so we put the whole image of the abstract and simplified, leaving only outline a vision or a simplified form, in which case, we use the traditional form of its meaning may be quoted, but it may also represent an era of civilization, or simply because the visual style of beauty. (Two abstract visual outline of the traditional cultural symbols in the abstract, the reference from a typical, commonly called the visual angle of viewing the scene leaving the silhouette to the silhouette instead of the whole body of cultural symbols which may be a beautiful silhouette , the main outline, there may be a common point of view from the left perspective silhouette. In short, this time through the use of landscape spatial organization in the face element to the performance of the overall image of the traditional cultural symbols of the whole process can be called as the body - profile - surface, that is, from the abstract into the physical landscape contours, and then into the face of the landscape space. This approach, although subject to the surface of the form, space can not express the deep meaning of landscape, but more direct, understand, easier to reference. (C abstract body retains the overall shape of the traditional cultural symbols, but some tedious details, or to reflect contemporary values ?is not suitable for some of the content removed, through a number of modern techniques, skills or materials to be reflected, making the times cultural values ?of the landscape, but it also makes into a moment of history and the reverie of traditional culture in which traditional methods to facilitate the people to grasp the overall form of cultural symbols, to understand the space in which meaning we can use three methods abstract expression. 1 physical summary: it mainly refers to the overall image of the traditional landscape pattern on the grasp, do not pay attention to some, minor areas, the use of a combination of simple shapes to represent it, showing the traditional physical characteristics, such as Shanghai Jin Mao Tower, is Chinas ancient tower recessed layers, pick out at the eaves, forming the top of minarets. (2) the shape of the abstract. To see the entire building is divided into paragraphs to the top of the gradual contraction of the junction of each two slightly protruding out of the top is shaped like a narrow tower of stacked into a narrow spire-shaped. 3 simplify the structure: refers to the preservation of traditional cultural symbols of the body, the internal structure simplified, removing complex, cumbersome detailed structural or decorative, so simply reflects the clear, crisp structure. The same time, to a certain extent, the performance of the traditional landscape space, the structure features. (Four pairs reflect the significance of traditional cultural symbols to express the special way of reference in the traditional garden culture, of tradition, to spend a reference to people on the ground through the use of pebbles, various porcelain pieces such as a variety of concrete or paving abstract folk pattern to express the wishes of some people, the desire to pray in a modern, people use the same approach to develop a variety of patterns, using a variety of materials to express a similar purpose, even some only as decoration on the ground plane . Links to free download Third, the conclusion is not necessarily the history of modern heritage stumbling block, the United States in the modern image of the logo reflects the idea of ?the nations heritage revival, of course, according to the traditional end of the overall modernization of the West and the overall attitude of acceptance as desirable, Chinas modern logo designed to explore the Chinese traditional culture and aesthetic sense of the essence, we must also fully understand the variety of designs from modern Western thought, eclectic, mastery, find a meeting point between tradition and modernity to create a line in the form of a new era. an area like to the development of material culture, if you do not know your past, do not understand the historical experience of the region, experience, lessons learned, it is difficult to make their material culture in the greater development and prosperity of the region, review history, summed up that can lead to pride where those features, strengths and gain forward momentum. References: 1 Lu Liu. On the cultural landscape gardens in Guangdong, 199R (12). Links to free download 7