红色论文：设计艺术中红色与黑色并置的色彩意境研究

红色论文：设计艺术中红色与黑色并置的色彩意境研究【中文摘要】本文着重对设计领域(服装、建筑、产品、室内、平面)中红色与黑色并置产生的意境进行了研究。具体从原始社会人类色彩心理形成开始,对红色与黑色的心理暗示诱因进行分析；红色与黑色在不同地域、不同民族的心理差别：红色与黑色并置在设计领域应用案例分析；阐明红色与黑色并置在现代设计中的色彩意境。人们在生活实践中一方面继承了祖先色彩的遗传心理,同时在色彩的形式美中又注人了一定的当前社会内容。作为设计语言的色彩,在设计领域有着举足轻重的作用。色彩最易影响人们的知觉、心理与情感。在色彩的色相与强弱变化中充满着节奏与情调,不但大自然的色彩如此,在我们日常生活中,衣、食、住、行、用、玩等都离不开色彩的影响。当色彩作用于人的生活时,首先会勾引起对生活的联想与情感作用,这也是色彩设计者共同感兴趣的问题。红色与黑色作为主体颜色在设计领域中被众多艺术设计者广泛采用。本文从主导服装流行的国际服装品牌、建筑、室内环境与家具、汽车、平面广告等案例进行分析,研究红色与黑色作为主体颜色并置的色彩意境。色彩作用于人的感官能引起人的心理与情感的变化,使观者产生想象和联想。在现代社会信息化高度发展的今天,世界的文化交流变的畅通和便捷,地域和民族的差异在减少,色彩心理作为人类文化的组成部分,色彩在设计领域的应用也具有了相同或相近的心理效应。在现代人的心理中,黑色与红色的寓意也趋于一致。在现代设计领域,红色与黑色作为设计主题的主要用色并置在一起,主导设计作品意境之美。红色与黑色的搭配是最为经典的色彩组合,它们彰显经典、高贵、现代和时尚。红色与黑色的搭配组合使画面充满了活力与激情、豪华与庄重。【英文摘要】Though cognition theories of structuralism appeared on the scene comparably early, its influence is still witnessed on the increase after the occurrence of modern information technology. Till present, the study on such cognition theories, learning theories and teaching approaches based on structuralism has attracted a lot of attentions no matter at home or overseas.This paper learns the field that the design includes clothing, architecture, product, indoor, plane. It discusses from four aspects. With the beginning, the paper analysis the psychology of red and black; from the primitive society human. It researches the different between red and black in different regions and in different people. At the same time, it researches the concatenation of the red and black in the area of design, which clarifies the the color artistic conception of red and black in modern design. This paper argues that people inherit the ancestors of genetic psychology practice of everyday life;, meanwhile people absorb colorific beauty in modern society. As a language of design colour, it is very important in the area of design. It likely affects peoples perception, psychological and emotional. In colorific hue and amplitude change is filled with rhythm and emotional appeal. Not only the colour of nature is, but also clothing food, shelter and transportation use, play, etc, in our daily life. They are inseparable from colour effect. When colour effects on peoples lives, the first will seduce up the association and emotion for life role, which is colour designers matters of mutual interest. Red and black as the main color was in the area of design, and many art designers use them. This paper researches main body color of red and black in color from the leading clothing popular international dress brand, building, indoor environment and furniture, automobile, plane advertisement case,.So-called version of “artistic conception, citing” explaines:”:artistic conception described in literary works with the objective view the thoughts and feelings of the fusion consistent performance, in the form of a kind of art realm, and void-solid combination together, meaning and condition; deep aesthetic characteristics; It can make readers imagination and lenovo into its territory.Colour effects on human senses can cause mental and emotional changes that makes the viewer produce imagination and legend. In the modern society informatization highly development today, world cultural exchange becomes clear and convenient, regional and ethnic differences in reduced. Colour psychology as part of human culture, the application of color in design also has the same or similar psychology.This author considers that black and red no significant difference is the moral field. In modern design field, red and black as design major theme coloring and buy together, leading design work the beauty of artistic conception.Red and black is the most classical colour combination, they reveal classic, noble, modern and fashion. The picture is full of energy and passion, iuxurious and grave whith red and black makes.【关键词】红色 黑色 设计艺术 意境 色彩经验【英文关键词】red black design artistic conception colour experience【目录】设计艺术中红色与黑色并置的色彩意境研究摘要6-7Abstract7-8第一章 绪论10-121.1 课题背景10-111.2 研究方法及内容111.3 研究目的及意义11-12第二章 人类色彩遗传体系的建立12-222.1 人类起源过程中的色彩经验的建立12-152.2 色彩的心理效应15-162.3 中西文化体系中红色与黑色的审美特征16-22第三章 设计艺术中红色与黑色并置的色彩意境的表现22-343.1 服装设计中的表现22-243.2 平面设计中的表现24-263.3 环境设计中的表现26-293.4 产品设计中的表现29-323.5 影视设计中的表现32-34第四章 结论34-36参考文献36-38致谢38-39附录 (攻读学位期间发表论文目录)39