建筑赏析：当代建筑的特点与实例课件

建筑赏析建筑赏析 Reading Architecture当代建筑的特点与实例概要n当代建筑的主要特点n实例解读A.当代建筑的重要变化1.功能的复合（Multi-Function）2.材料的创造性运用（新构造/材料）3.形式的多样化（多元/个性）4.生态和智能的趋势5.CAD技术的影响1.功能的复合Multi-Function功能的复合(Multi-Function)：光大会展中心功能的复合：光大会展中心1.功能的复合：光大会展中心功能的复合：光大会展中心1.功能的复合（Multi-Function）John Hancock Center,Chicago,1969,Skidmore,Owings&Merrill(SOM)2.材料的创造性运用（新构造/材料）Signal Box,Basel,Switzerland,1994,Herzog&de Meuron 2.材料的创造性运用（新构造/材料）Signal Box,Basel,Switzerland,1994,Herzog&de Meuron 材材料料的的创创造造性性运运用用（新新构构造造/材材料料）ARCAM,Amsterdam,the Netherlands,Rne van Zuuk,2003材材料料的的创创造造性性运运用用（新新构构造造/材材料料）ARCAM,Amsterdam,the Netherlands,Rne van Zuuk,2003材材料料的的创创造造性性运运用用（新新构构造造/材材料料）ARCAM,Amsterdam,the Netherlands,Rne van Zuuk,2003材材料料的的创创造造性性运运用用（新新构构造造/材材料料）ARCAM,Amsterdam,the Netherlands,Rne van Zuuk,2003材料的创造性运用（新构造材料的创造性运用（新构造/材料）材料）Dominus Winery in Napa Valley,California,USA,1995-97Dominus Winery in Napa Valley,California,USA,1995-97,Herzog&de Meu ronHerzog&de Meu ronDominus Winery in Napa Valley,Yountville,California,USA,1995-97,Herzog&de Meuron平面信息：线形空间，比例关系，与功能的适应平面信息：线形空间，比例关系，与功能的适应Reception AreaReception AreaCellarCellarTank RoomTank RoomOfficeOfficeStorageStorageDominus Winery in Napa Valley,Yountville,California,USA,1995-97,Herzog&de MeuronDominus Winery in Napa Valley,Yountville,California,USA,1995-97,Herzog&de MeuronDominus Winery in Napa Valley,Yountville,California,USA,1995-97,Herzog&de Meuron材料的运用材料的运用Dominus Winery in Napa Valley,Yountville,California,USA,1995-97,Herzog&de Meuron材料：用于筑堤或防材料：用于筑堤或防御的金属网御的金属网+石块石块为什么说为什么说创造性地运创造性地运用材料用材料？1.1.美观要求（质感、美观要求（质感、疏密）疏密）2.2.适应气候变化要求适应气候变化要求3.3.对光线的考虑对光线的考虑4.4.表皮的概念表皮的概念Dominus Winery in Napa Valley,Yountville,California,USA,1995-97,Herzog&de Meuron石块所产生的光线效果石块所产生的光线效果Dominus Winery in Napa Valley,Yountville,California,USA,1995-97,Herzog&de MeuronDominus Winery in Napa Valley,Yountville,California,USA,1995-97,Herzog&de MeuronDominus Winery in Napa Valley,Yountville,California,USA,1995-97,Herzog&de MeuronBlue Moon Apartment,Groningen,Netherlands,2000 Toyo Ito&Foreign Office ArchitectsBlue Moon Apartment,Groningen,Netherlands,2000 Toyo Ito&Foreign Office Architects生物钢牵引丝织网框架丝作茧透光混凝土皱褶玻璃发光（led）中空玻璃太阳能灯More3.形式的多样化（多元/个性）The Umbrella,Culver City,California,2000,Eric Owen Moss形式的多样化（多元/个性）浙江大学宁波理工学院图书馆，宁波，浙江大学宁波理工学院图书馆，宁波，20022002，马青运，马青运形式的多样化（多元/个性）City of Music,Paris,France,1984-90,Christian de Portzamparc形式的多样化（多元/个性）Tokyo Metropolitan Gymnasium,Tokyo,Japan,1990,Fumihiko Maki/槇文彦 4.生态和智能的趋势Menara Mesiniaga,Selangor Darul Ehsan,Malaysia,1992,T.R.Hamzah&Yeang 生态和智能的趋势Menara Mesiniaga,Malaysia,1992,T.R.Hamzah&YeangMenara Mesiniaga,Malaysia,1992,T.R.Hamzah&Yeang 生态和智能的趋势Menara Mesiniaga,Malaysia,1992,T.R.Hamzah&YeangMenara Mesiniaga,Malaysia,1992,T.R.Hamzah&Yeang 生态和智能的趋势智能建筑IntelligentBuilding5.CAD技术的影响Guggenheim Museum,Bilbao,Spain,1991-97,Frank O.GerhyCAD技术的影响1.产生新造型Santiago Calatravas design of Moving Bones2.展示设计效果2008奥运会主体育场3.模拟建造（BuildingInformationModeling）4.直接生产（CAD/CAM）The Turbulence HouseCAD技术的影响The Turbulence House,New Mexico,2001-04,Steven Holl B.实例解读以风格为主线现代主义建筑的反思与发展后现代新现代极少主义解构主义地方主义的演进高技与建筑的技术趋向中国当代建筑实践1.后现代主义(Post-Modernism)对现代建筑（国际式）的批判性思考与实践理论准备：Robert Venturi，建筑的复杂性与矛盾性：针对现代主义所忽视的美学问题，提倡多元、兼容并蓄建筑师：Michael Graves,Robert Venturi(&Scott Brown),Aldo Rossi,Charles Moore,James Stirling AT&T Building,New York,1978,Philp JohnsonAT&T Building,New York,1978,Philp JohnsonThe Portland Building,Portland,Oregon,1980,Michael GravesDenver Central Library,Denver,Colorado,1996,Michael GravesDenver Central Library,Denver,Colorado,1996,Michael GravesDenver Central Library,Denver,Colorado,1996,Michael GravesDenver Central Library,Denver,Colorado,1996,Michael GravesDenver Central Library,Denver,Colorado,1996,Michael GravesDenver Central Library,Denver,Colorado,1996,Michael GravesPiazza dItalia,New Orleans,Louisana,1974,Charles MoorePiazza dItalia,New Orleans,Louisana,1974Charles MooreSainsbury Wing,National Gallery,London,1988-91,Venturi Scott Brown&AssociateSainsbury Wing,National Gallery,London,1988-91,Venturi Scott Brown&AssociateSainsbury Wing,National Gallery,London,1988-91,Venturi Scott Brown&AssociateSainsbury Wing,National Gallery,London,1988-91,Venturi Scott Brown&AssociateNew State Gallery,Stuttgart,Germany,1977-83,James Stirling New State Gallery,Stuttgart,Germany,1977-83,James Stirling New State Gallery,Stuttgart,Germany,1977-83,James Stirling New State Gallery,Stuttgart,Germany,1977-83,James Stirling 2.新现代主义(Neo-Modernism)对现代建筑的传承与发展Bruno Zevi，建筑空间论：功能原则扩大化，着眼于创造形式对空间、光、形式的认识和实践建筑师：Louis Kahn,Richard Meier,Tando Ando,Gwathmey Siegel,Luigi SnozziJonas Salk Institute,La Jolla,California,1959-1966Jonas Salk Institute,La Jolla,California,1959-1966,Louis Kahn,Louis Kahn Jonas Salk Institute,La Jolla,California,1959-1966Jonas Salk Institute,La Jolla,California,1959-1966,Louis Kahn,Louis Kahn Jonas Salk Institute,La Jolla,California,1959-1966Jonas Salk Institute,La Jolla,California,1959-1966,Louis Kahn,Louis Kahn Jonas Salk Institute,La Jolla,California,1959-1966Jonas Salk Institute,La Jolla,California,1959-1966,Louis Kahn,Louis Kahn Jonas Salk Institute,La Jolla,California,1959-1966Jonas Salk Institute,La Jolla,California,1959-1966,Louis Kahn,Louis Kahn Jonas Salk Institute,La Jolla,Jonas Salk Institute,La Jolla,CalifCalifornia,1959-1966ornia,1959-1966,Louis Kahn,Louis Kahn Getty Center,Los Angeles,California,1985-97,Richard Meier Getty Center,Los Angeles,California,1985-97,Richard Meier Getty Center,Los Angeles,California,1985-97,Richard Meier Getty Center,Los Angeles,California,1985-97,Richard Meier Getty Center,Los Angeles,California,1985-97,Richard Meier Getty Center,Los Angeles,California,1985-97,Richard Meier The New Modern Art Museum,Fort Worth,Texas,2002,Tadao Ando The New Modern Art Museum,Fort Worth,Texas,2002,Tadao Ando The New Modern Art Museum,Fort Worth,Texas,2002,Tadao Ando The New Modern Art Museum,Fort Worth,Texas,2002,Tadao Ando 3.极少主义(Mininalism)对现代建筑的发展准备：Mies van der Rohe的实践极少主义艺术家的创作建筑师：Herzog&De Meuron,Alberto Campo Baeza,Luis Barragan,Toyo Ito(伊东丰雄),Shigeru Ban(坂茂),Kazuyo Sejima(妹岛和世)Collection Goetz,Munich,German,1989,Herzog&De MeuronCollection Goetz,Munich,German,1989,Herzog&De MeuronCollection Goetz,Munich,German,1989,Herzog&De MeuronCollection Goetz,Munich,German,1989,Herzog&De MeuronCollection Goetz,Munich,German,1989,Herzog&De MeuronCollection Goetz,Munich,German,1989,Herzog&De MeuronUpper Level Entrance Level Lower Level Collection Goetz,Munich,German,1989,Herzog&De MeuronCollection Goetz,Munich,German,1989,Herzog&De MeuronCollection Goetz,Munich,German,1989,Herzog&De MeuronT House,Yutenji,Tokyo,1999,Toyo IyoT House,Yutenji,Tokyo,1999,Toyo IyoT House,Yutenji,Tokyo,1999,Toyo Iyo2/5 House,Nishinomiya,Hyogo,1995,Shigeru Ban2/5 House,Nishinomiya,Hyogo,1995,Shigeru BanM house,Tokyo,Japan,1997,Kazuyo SejimaM house,Tokyo,Japan,1997,Kazuyo SejimaM house,Tokyo,Japan,1997,Kazuyo Sejima4.解构主义(Deconstructionism)对现代建筑的批判理论准备：Jacques Derrida建筑师：Bernard Tschumi,Frank O.Gehry,Daniel Libeskind,Eric Owen Moss,Rem Koolhaas,Peter Eisenman,Zaha Hadid,Coop Himmelblau,Morphosis,AsymptoteLa Villette“Follies”,Paris,France,1982-85,Bernard TschumiLa Villette“Follies”,Paris,France,1982-85,Bernard TschumiVitra Furniture Museum,Weil am Rhein,Germany,1986-89,Frank O.GehryVitra Furniture Museum,Weil am Rhein,Germany,1986-89,Frank O.GehryVitra Furniture Museum,Weil am Rhein,Germany,1986-89,Frank O.GehryVitra Furniture Museum,Weil am Rhein,Germany,1986-89,Frank O.GehryVitra Furniture Museum,Weil am Rhein,Germany,1986-89,Frank O.GehryVitra Furniture Museum,Weil am Rhein,Germany,1986-89,Frank O.GehryVitra Furniture Museum,Weil am Rhein,Germany,1986-89,Frank O.GehryVitra Furniture Museum,Weil am Rhein,Germany,1986-89,Frank O.GehryVitra Fire Station,Weil am Rhein,Germany,1986-89,Zaha HadidVitra Fire Station,Weil am Rhein,Germany,1986-89,Zaha HadidVitra Fire Station,Weil am Rhein,Germany,1986-89,Zaha HadidVitra Fire Station,Weil am Rhein,Germany,1986-89,Zaha HadidVitra Fire Station,Weil am Rhein,Germany,1986-89,Zaha HadidThe Umbrella,Culver City,California,2000,Eric Owen MossThe Umbrella,Culver City,California,2000,Eric Owen MossThe Umbrella,Culver City,California,2000,Eric Owen MossRooftop Remodelling,Vienna,Austria,1983-89,Coop Himmelblau(蓝天组)Rooftop Remodelling,Vienna,Austria,1983-89,Coop Himmelblau(Rooftop Remodelling,Vienna,Austria,1983-89,Coop Himmelblau(蓝天组蓝天组)Rooftop Remodelling,Vienna,Austria,1983-89,Coop Himmelblau(Rooftop Remodelling,Vienna,Austria,1983-89,Coop Himmelblau(蓝天组蓝天组)Rooftop Remodelling,Vienna,Austria,1983-89,Coop Himmelblau(蓝天组)Convention Center,Columbus,Ohio,1988-1993,Peter EisenmanConvention Center,Columbus,Ohio,1988-1993,Peter EisenmanLoisium Visitors Center,Langenlois,Austria,2003，Steven Holl Loisium Visitors Center,Langenlois,Austria,2003，Steven Holl Felix Nussbaum Museum,Osnabruck,Germany,1998,Daniel Libeskind5.地方主义的演进(Regionalism)结合当地的环境要素和条件（气候、地形、材料、形式等）理论介绍：Frampton,Kenneth.(1985)Critical Regionalism:modern architecture and cultural identity,Modern Architecture A Critical History,London:Thames and Hudson,建筑师：Alvar Aalto,Peter Zumthor,Mario Botta,Glen Murcutt,Charles Correa,Luis BarraganVilla Mairea,Noormarkku,Finland,1938-41,Alvar Aalto Villa Mairea,Noormarkku,Finland,1938-41,Alvar Aalto Villa Mairea,Noormarkku,Finland,1938-41,Alvar Aalto Syntsalo Town Hall,Finland,1952 Alvar AaltoSyntsalo Town Hall,Finland,1952 Alvar AaltoSyntsalo Town Hall,Finland,1952 Alvar AaltoSaint Benedict Chapel,Sumvitg,Switzerland,1988,Peter ZumthorSaint Benedict Chapel,Sumvitg,Switzerland,1988,Peter ZumthorSaint Benedict Chapel,Sumvitg,Switzerland,1988,Peter ZumthorSaint Benedict Chapel,Sumvitg,Switzerland,1988,Peter ZumthorSaint Benedict Chapel,Sumvitg,Switzerland,1988,Peter Zumthor父亲住宅父亲住宅,玉山，蓝田，陕西，玉山，蓝田，陕西，2003,马清运马清运 父亲住宅父亲住宅父亲住宅父亲住宅,玉山，蓝田，陕西，玉山，蓝田，陕西，玉山，蓝田，陕西，玉山，蓝田，陕西，20032003,马清运马清运马清运马清运 父亲住宅父亲住宅父亲住宅父亲住宅,玉山，蓝田，陕西，玉山，蓝田，陕西，玉山，蓝田，陕西，玉山，蓝田，陕西，20032003,马清运马清运马清运马清运 Thermal Bath,Vals,Graubunden,Switzerland,1997,Peter Zumthor Thermal Bath,Vals,Graubunden,Switzerland,1997,Peter Zumthor Thermal Bath,Vals,Graubunden,Switzerland,1997,Peter Zumthor Thermal Bath,Vals,Graubunden,Switzerland,1997,Peter Zumthor Tjibaou Cultural Center,Noumea,New Caledonia,1998,Renzo Piano Tjibaou Cultural Center,Noumea,New Caledonia,1998Tjibaou Cultural Center,Noumea,New Caledonia,1998,Renzo Piano,Renzo Piano Tjibaou Cultural Center,Noumea,New Caledonia,1998Tjibaou Cultural Center,Noumea,New Caledonia,1998,Renzo Piano,Renzo Piano 6.高技(Hi-Tech)新材料的精湛表现，技术体现的风格准备水晶宫埃菲尔铁塔技术表现建筑师：Renzo Piano,Norman Foster,Richard Rogers,Santiago Calatrava,Nicholas Grimshaw,Paul Andrew Pompidou Center,Paris,France,1977Pompidou Center,Paris,France,1977,Renzo Piano&Richard Rogers,Renzo Piano&Richard Rogers Pompidou Center,Paris,France,1977Pompidou Center,Paris,France,1977,Renzo Piano&Richard Rogers,Renzo Piano&Richard Rogers Milwaukee Art Museum,Milwaukee,Wisconsin,2001,Santiago Calatrava Milwaukee Art Museum,Milwaukee,Wisconsin,2001,Santiago Calatrava Milwaukee Art Museum,Milwaukee,Wisconsin,2001,Santiago Calatrava Eurostar Terminal Waterloo Station,London,1991-94,Nicholas Grimshaw The Turbulence House,New Mexico,2001-04,Steven Holl 谢谢！谢谢！