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New Material Application in Contemporary Jewellery,1,In my current series of work, I am strongly interested and driven by contrasts. With a move from Europe to China in 2007, it might be obvious that the ingredients of my work derive from the new influences that now surround me. The differences that can be found in the cultural backgrounds, the diversity of people and the new way of living nourish my thinking. The contrasts of traditional & modern, old & new, male & female, growth & decay, fake & void, intrigue me and are mirrored in my pieces that find their centre point in the imagery of the flower-selling-ladies of Shanghais streets.,Yesterday Is a Different Day,Lisa Juen (Germany),2,3,Materials: Steel, Fake Nails, Nail Varnish, enamel, Gold Leaf, Silver Leaf, Cubic Zirkonia, Glass, Polyester, Cotton, Rust, freshwater pearls, LED, LED screen, fabric, Cable, Light Switch, plastic, elastic band, stainless steel,材料：钢、假指甲、指甲油、珐琅、金箔、镐石、玻璃、聚酯、棉、铁锈、淡水珍珠、LED灯、LED屏、布料、电线、灯开关、塑料、松紧带、不锈钢,DOUBLE FAKE, Brooch,4,SEXY GOLDFISH,PINK TRADITION, Brooch,5,The female notion that accompanies the being of a flower, its power, bloom, playfulness and seductiveness, even up to the suspicion of/and being fake inspires my making, being opposed to natural processes, time and decay.,6,Money money Necklace,7,8,Earrings $265 Newsprint, Perspex, mixed media, silver 报纸，有机玻璃，综合材料，银 Brooch $450 Newsprint, paint, mixed media, silver报纸，有机玻璃，综合材料，银,Kvetoslava Flora Sekanova,9,“This group of work, Familiarity, is about noticing surface textures, and going on a journey with the materials. What does the material allow me to do? How many secrets will I get to discover? What presumed aesthetic rules do I allow myself to break?”, Brooch, newsprint, mixed media, silver $530, Brooch, newsprint, mixed media, silver $445,10,“For me, jewellery does not stand completely separated from other creative forms, or from everyday life. I like Margaret Wests approach of placing jewellery alongside everyday phenomena finding poetic links. It engages logic yet also is born from intuition.“, Brooch, newsprint, mixed media, silver $445, Brooch, newsprint, mixed media, silver $445,11,Chihuahua吉娃娃 W 71mm x H 108mm, $450 Recycled Formica, hessian, cork, Formica, 18ct, 9ct plated drawing pin, 9ct, stg, brass screws and stainless steel wire.再生胶木，粗麻绳，软木塞，胶木，18克拉镀9克拉图钉，黄铜螺丝和不锈钢丝,Anna Whitley,12,Hamster 仓鼠 W 92mm x H 53mm, $450 Recycled Formica, cork, Formica, 18ct plated drawing pins, 9 ct, stg, brass screws & stainless steel wire. 再生胶木、软木塞、胶木，18k镀金图钉，黄铜螺丝和不锈钢丝,13,Goldfish金鱼 W 135mm x H 120mm, $450 Formica, cork, recycled Formica, 18ct plated drawing pins, 18ct staple, 9ct, brass screws & stainless steel wire. 胶木、软木塞、再生胶木、18k镀金图钉、18k镀金订书钉，黄铜螺丝和不锈钢丝,14,Poodle狮子狗 W 90mm x H 109mm, $450 Recycled Formica, hessian, cork, Formica, 9ct & 18ct plated drawing pins, 9ct, stg, brass screws, stainless steel wire. 再生胶木，粗麻布，软木塞，胶木，9k和18k镀金图钉，黄铜螺丝和不锈钢丝,15,Cat, W 90mm x H 110mm, $450 Formica, hessian, cork, stg and 18ct staples, 9ct, stg, brass screws & stainless steel wire.再生胶木，粗麻布，软木塞，18k镀金图钉，黄铜螺丝和不锈钢丝,16,Rabbit, W 85mm x H 127mm, $450 Formica, hessian, cork, veneer, 9ct plated drawing pin, 18ct staple, 9ct, stg, brass screws & stainless steel wire. 再生胶木，粗麻布，软木塞，胶木，9k镀金图钉，18k订书钉，黄铜螺丝和不锈钢丝,17,Sausage Dog腊肠 W 163mm x H 82mm, $450 Whiteboard, Formica, veneer, pearls, magnets, 9ct, stg, brass screws & stainless steel wire. 白纸板，胶木，薄片镶饰，珍珠，吸铁石，黄铜螺丝和不锈钢丝,18,Budgie, W 63mm x H 156mm, $450 Whiteboard, Formica, 9ct, stg, brass screws & stainless steel wire. 白纸板，胶木，黄铜螺丝，不锈钢丝,19,brooches Sterling silver, paint 925银，颜料,20,Rui Kikuchi (Japen-Austrlia),Rui, recently returned to her birth country after being brought up and educated in Sydney. This new body of playful and experimental pieces could be seen to resemble marine life, reflecting and recognising the simple beauty of the world around us is in response to her observations of consumption in Japanese society.,21,In manipulating an abundant material in the human world, such as the PET (polyethylene teraphthalate) bottle, her aim is to consider the mundane object and recognise beauty within it. In extending our humility to see a value in these materials, it is her hope that we reduce the nonchalant use of goods and that can lead us to experience wonder in the everyday.,22,Necklace $600 rubber, textiles, found objects硅胶，纺织品，现成品,Brooche$330 Retro fabric from the eighties, found objects, silver, powdercoated copper 80年代布料，现成品，银，镀铜,Nadene Carr,23,“In my work I am interested in two forms of adornment, garment and jewellery. My curiosity lies in the crossover of the two and how close they come to each other, and what happens in the exchange. The metal gives a sense of traditional jewellery. Using it as framework for the underlying structure in which I push through fabric embedded with objects to add a sculptural dimension. Fabric embodies a piece of history, often a favorite garment has memories adding another layer. By recycling it into another form of simple beauty and detail allows a connection physically and emotionally to the wearer.“ Nadene Carr, 2010,24,All Brooches $330 each Retro fabric from the eighties, found objects, silver, powdercoated copper,25,Brooch: A Constant Grinding 2012 Galia melon seeds, titanium, aluminium steel, silver加利亚瓜子，钛，铝钢，银,Karin Roy Anderson (Sweden),26,Brooch: A Constant Grinding Apple seeds, titanium, steel, silver,I am a long distance runner. The urge for repeating movements over and over again, methodically and resolutely is something that is significant for both my personality and my work. Running kilometre after kilometre or sawing up and down hour after hour.,27,Necklace: A Constant Grinding 2012 Galia melon seeds, textile, brass 加利亚瓜子，纺织品，黄铜,Multiplicity and recurrence attract me. In a large scale the variations between the details are very important. I create structures and rhythms using small elements to build dynamic patterns. My aim is that the result in a small scale should express harmony and balance.,28,Bracelet: Catching Big Fish 2013 Recycled plastic, silver, textile 再生塑料，银，纺织品,Earrings: Catching Big Fish 2013 Recycled plastic, silver, textile,29,The End brooch glass beads, plastic, silver, leather 玻璃珠，塑料，银，皮革 12 x 11 x 4 cm,Felieke van der leest(Norway),30,Animals have a special place in Felieke van der Leests heart. She provides many animals with a busy social life as ornaments, gives a select group a nice home in museums and she placed a few oversized specimens in the center of everyones attention in meeting rooms and stairwells. Jewellery, object or light fixture, the scale or function is not the aspect that inspires Van der Leest: the telling of unusual stories is always her main motivation. Van der Leest has enriched jewellery design with the introduction of textile techniques. Combining this with gold, silver and plastic, in ten years time she developed her own idiom. For someone who normally works with hand sized pieces it is remarkable to develop monumental installations. A continuous flow of her work now finds its way to numerous exhibitions. In addition, it is happily collected by individuals and museums through the galleries that represent her in Amsterdam, New York and Tokyo. A great milestone was the 2006 exhibition Jewellery Fables: the museum in Middlesbrough (mima) exhibited an overview of all her work and also published an accompanying catalog. Apart from the obvious fun her work sometimes showes an unexpected serious side. Contemporary issues such as the environment, dealing with animals and all kinds of social problems are touched upon. In this way Van der Leest, like Jean de La Fontaine in his famous fables, shows us the other side of the coin. But her most important quality continues to be her unstoppable enthusiasm for making new pieces and the joy they give us, the spectators.,31,2012 Prairie Pioneer大草原先锋 bracelet glass beads, textile, silver, gold, plastic, leather 15 x 10 x 10 cm,32,2012 Don & Bob Digger挖掘者 earclips gold, plastic 3 x 3 x 2 cm each,33,2012 Anti-War Warrior反战武士 brooch textile, glass beads, gold, topaz, onyx, silver 纺织品，玻璃珠，金，托帕石，缟玛瑙，银 8.5 x 9 x 4 cm,34,2003 Camouflage Deer with Target Trousers穿靶子裤的伪装中的鹿 object / necklace plastic, textile, gold, coral, shellpearls object 12 x 12 x 6 cm,35,2003 Stripey Animals条文动物 bracelets textile, silver 10 x 12.5 x 4.5 cm,36,2002 Giraffe with the Zebra Legs有着斑马腿的长颈鹿 necklace plastic, textile, silver, glass beads giraffe 22 x 8 x 3 cm,37,2002 Party Goldfish in Pool 游泳池中的派对金鱼 object with ring plastic, textile, gold ring 5 x 2.5 x 5 cm,38,2000 Carry Fish Jessica wearable object rubber, textile, dolls sleepy eyes 38 x 18 x 13 cm,39,Repose Collection. Necklace, 2002 feathers, thread 12 x 10 x 3“,I enjoy introducing various materials into my work because of their tactile qualities and associative implications. The reconfiguration of preexisting objects proposes a more intimate and poetic dialogue, with open interpretations. Every observer may contemplate meanings more intuitively by recollection of their own knowledge or experience.,julie A matheis,40,Repose Collection. Bracelet, 2003 feathers thread 4 x 4 x 1 3/4“,In the “Repose Collection“ I have indulgently altered the real qualities and symbolic role of this ancient material. These semi plumes become a series of unnatural, colorless, and frail rings. In a subtle way these silenced feathers propose questions regarding contemporary rituals, and provide evidence of the vulnerable and impaired dualityin which man and nature coexist.,41,silicone-rubber pigments thread 40 cm,Ela Bauer(Netherlands),42,ring 02 silver银 latex胶乳 thread线 3 cm,43,Colour is the starting point for my latest works. I think that colour is the first given you perceive and interpret; through experiencing colour you have an immediate, important notion of a thing. This first notion subsequently deepens and goes into nuance the longer you observe an object, but colour has the power to create moods/ atmospheres on the unconscious level.,necklace 04 silicone rubber pigments thread 40 cm,44,necklace 06 porcelain silicone-rubber pigments thread 40 cm,45,necklace 06 silicone-rubber pigments thread 55 cm,Initially I wanted to have as less as possible influence on the forms, I sort of let them happen. I have poured the colour in bigger and smaller puddles, and joined them to a necklace. It became quite a large object that covered a big portion of the torso; actually a kind of apron. The given of a jewellery piece that flows out of its “normal” proportions in terms of size, and becomes an armour, a frontal protection, interested me.,46,necklace 05 silicone-rubber pigments thread porcelain 30 cm,47,
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