《英语诗歌分类》PPT课件.ppt

1、十四行诗 (Sonnet) 源于中世纪民间抒情短诗，十三、十四世纪流 行于意大利，意大利彼特拉克（ Petrarch）为 代表人物，每行十一个音节，全诗一节八行， 加一节六行，韵脚用 abba, abba, cdcdcd (cdecde)。前八行提问，后六行回答。 后来，怀亚特（ Thomas Wyatt,1503-1542）将 十四行诗引人英国，五音步抑扬格，全诗三个 四行一个二行 ,前三节提问，后二句结论。斯宾 塞（ Edmund Spenser,1552-1599）用韵脚 abab, bcbc,cdcd,ee。莎士比亚（ William Shakespeare,1564-1616）用韵脚 abab,cdcd,efef,gg，称英国式或莎士比亚式。 2、打油诗（ Limericks）：通常是小笑话甚至是胡诌，一般没 有标题也无作者姓名，含有幽默讽刺性，常运用双关，内韵等 手法。每首诗五个诗行，押韵为 aabba，格律以抑扬格和抑抑 扬格为主。 1) There was a young lady of Nigger Who smiled as she rode on a tiger; They returned from the ride With the lady inside, And the smile on the face of the tiger. 2) A tutor who taught on the flute Tried to teach two tooters to toot, “Is it harder to toot, or Said the two to the tutor, To tutor two tooters to toot?” 3、素体诗 (无韵体诗 )（ Blank Verse）：五音步抑扬格，不押 韵诗体。 the unrhymed iambic pentameter line William Wordsworth: There Was a Boy There was a Boy; ye knew him well, ye cliffs And islands of Winander! many a time, At evening, when the earliest stars began To move along the edges of the hills, Rising or setting, would he stand alone, Beneath the trees, or by the glimmering lake; And there, with fingers interwoven, both hands Pressed closely palm to palm and to his mouth Uplifted, he, as through an instrument, Blew mimic hootings to the silent owls That they might answer him.And they would shout Across the watery vale, and shout again, Responsive to his call,with quivering peals, And long halloos, and screams, and echoes loud Redoubled and redoubled; concourse wild Of jocund din! And, when there came a pause Of silence such as baffled his best skill: Then, sometimes, in that silence, while he hung Listening, a gentle shock of mild surprise Has carried far into his heart the voice Of mountain-torrents; or the visible scene Would enter unawares into his mind With all its solemn imagery, its rocks, Its woods, and that uncertain heaven received Into the bosom of the steady lake. This boy was taken from his mates, and died In childhood, ere he was full twelve years old. Pre-eminent in beauty is the vale Where he was born and bred: the churchyard hangs Upon a slope above the village-school; And through that churchyard when my way has led On summer-evenings, I believe that there A long half-hour together I have stood Mute looking at the grave in which he lies! 4、自由诗（ Free Verse） 自由诗（ Free Verse） :现代诗中常见的体式， 长短不同的诗行存在于同一首诗中，不讲究 押韵与格律，只注重诗歌所表达的意象和传 递的情感。美国诗人 Walt Whitman的 （ Leaves of Grass）中，就采用此格式。 Song of Myself I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. I loafe and invite my soul, I learn and loafe at my ease observing a spear of summer grass. My tongue, every atom of my blood, formd from this soil, this air, Born here of parents born here from parents the same, and their parents the same, I, now thirty seven years old in perfect health begin, Hoping to cease not till death. Creeds and schools in abeyance, Retiring back a while sufficed at what they are, but never forgotten. I harbor for good or bad, I permit to speak at every hazard. Nature without check with original energy. Notes: a spear of: a piece of school:学说，流派 hazard:chance abeyance: the condition of not being in use for a certain time 惠特曼（ Walt Whitman,1819-1892），美国诗人。此诗选自其巨著 。 本文是 Song of Myself 一诗的第一部分，采用自由诗体，语言接近当时的美国口 语。 5、 Epic poetry it is a long verse narrative on a serious subject, told in a formal and elevated style, and centered on a heroic or quasi-divine figure on whose actions depends the fate of a tribe, a nation, or the human race. 史诗是叙述 英雄传说 和重大历史事件的叙事 长诗 。 一种庄严的 文学体裁 ，内容为 民间传说 或歌颂 英雄 功绩的长篇 叙事诗 ，它涉及的主题可以包括历史事 件、 民族 、 宗教 或 传说 史诗 史诗一般分作两种，一种为“ 传统史诗 ” 或“原始史诗”，主要是以口头流传的形式 世代相传，随着时间而增添情节，最后被整 理、加工，以文字记载成为一部统一的作品。 这类史诗的代表有 荷马 的史诗作品 伊利亚 特 和 奥德赛 。另一种为文学作家以特 定的观念目的有意识地编写而成的“ 文学史 诗 ”，这类史诗的代表有 维吉尔 的 埃涅阿 斯纪 和 约翰 弥尔顿 的 失乐园 。 6、英雄双韵体 (Heroic Couplet), the rhymed couplet of iambic pentameter 是一种英国古典诗体，由乔叟首创。由十音 节双韵诗体演化而来，每行五个音步 ,每个音 步有两个音节 ,第一个是轻音 ,第二个是重音 . 句式均衡、整齐、准确、简洁、考究。 举例 拿四行诗的押韵方式为例，有 abab型，有 abcb型，有 abba型，有 aabb型， 还有 aaab 型。第四种（ aabb型）实际上是双行押韵， 英语称之为 couplet,如果每行五音步，则称之 为“英雄双押韵” (heroic couplet)； The Canterbury Tales-General Prologue As soon as April pierces to the root The drought of March, and bathes each bud and shoot Through every vein of sap with gentle showers From whose engendering liquor spring the flowers; When zephyrs have breathed softly all about Inspiring every wood and field to sprout, And in the zodiac the youthful sun His journey halfway through the Ram has run; When little birds are busy with their song Who sleep with open eyes the whole night long Life stirs their hearts and tingle in them so, Then off as pilgrims people long to go, And palmers to set out for distant strands And foreign shrines renowned in many lands. And specially in England people ride To Canterbury from every countryside To visit there the blessed martyred saint Who gave them strength when they were sick and faint. 7、 Ballads and popular ballads大众民谣 Definition of the ballad: A ballad, flourished in the 15th century, is a story told in song, usually in 4-line stanzas, with the second and fourth lines rhymed. Popular Ballads Ballads are anonymous narrative songs that have been preserved by oral transmission. Literature of the common people. flourished in the 15th century, printed until the 18th and 19th. The best known of the earliest collections was Bishop Thomas Percys “Reliques of Ancient English Poetry”. 英国民谣（ English Ballad），起源于中世纪末期，即 12、 13世纪，兴盛于 14、 15世纪，复兴于 18、 19世纪，是英国 最古老的 诗歌 形式之一。它主要包括两大部分，英格兰民谣 和苏格兰民谣。 Get Up and Bear the Door It fell about the Martinmas time, And a gay time it was then, When our goodwife got puddings to make, And shes boiled them in the pan. The wind so cold blew south and north, And blew into the floor; Quoth our goodman to our goodwife, “Go out and bar the door.” “My hand is in my hussyfscap, Goodman, as ye may see; If it should not be barrd this hundred year, Its not be barrd by me.” They made a paction tween them two, They made it firm and sure, That the first word whoeer should speak, Should rise and bar the door. Then by there came two gentlemen, At twelve oclock at night, And they could neither see house nor hall, Nor coal, nor candlelight, “Now whether is this a rich mans house, Or whether is it a poor?” But neer a word would one of them speak, For barring of the door, And first they ate white puddings, And then they ate the black: Tho much thought the goodwife to herself, Yet neer a word she spake, Then said the one unto the other, “Here, man, take ye ma knife; Do you take off the old mans beard, And Ill kiss the goodwife,” “But theres no water in the house, And what shall we do then?” “What ails ye at the pudding-broth, That boils into the pan?” O, up then started our goodman, An angry man was he; “Will ye kiss my wife before my eye, And scald me with pudding-broth?” O up then started our goodwife, Made three skips on the floor; “Goodman, youve spoken the foremost word; Get up and bar the door.” Triplet / tercet(三韵句，三行押韵的诗节 ) : Triplet: a unit or group of three lines, usu. rhymed. 三行诗节 (three-line stanza， triplet)押韵的形式多样，如： aaa； aab， ccb； aba， bcb ODE TO THE WEST WIND (V) Shelly Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like withered leaves to quicken a new birth! And, by the q of this verse, Scatter, as from an unextinguished hearth Ashes and sparks, my words among mankind! Be through my lips to unawakened Earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind? 四行诗节 quatrain: a stanza of four lines 可以押联韵 (couplet rhyme)aabb ,也可以押套韵 (interlaced rhyme)即 abab；还可以押间韵 (intermittent rhyme)即 abcb；又可押抱韵 (enclosing rhyme)即 abba。 Awake ， awake ， my 1ittle boy ! Thou was thy mothers only joy； Why dost thou weep in thy gentle sleep? Awake! thy father does thee keep William Blake (联韵 ) Sunset and evening star， And one clear call for me! And may there be no moaning of the bar， When I put out to sea Tennyson， Crossing the Bar (套韵 ) Break ， break， break， On thy cold grey stones， O Sea! And 1 would that my tongue could utter The thoughts that arise in me Tennyson Break ， Break ， Break (间韵 ) I hold it true whateer befall， I feel it when I sorrow most； Tis never to have loved at al1 Then never to have loved at al1 Tennyson In Memoriam (抱韵 ) O my luve is like a red, red rose, Thats newly sprung in June; O my luve is like the melodie Thats sweetly playd in tune. As fair art thou, my bonie lass, So deep in luve am I; And I will luve thee still, my dear, Till a the seas gang dry.